#Watch son of saul movie#
#Watch son of saul free#

Once they are gassed the Sonderkommando has to drag the dead bodies out of the chambers and put them in the ovens for the last part of their destruction.ДЄmong the dead and dying victims Saul discovers an almost dead boy he thinks to be his son. The task of the Sonderkommado is to bring newly arrived prisoners to the gas chambers. The Sonderkommando was to assist the NaziвЂ™s to kill and destroy Jews arriving in Auschwitz from all over Europe. Saul AuslГ¤nder, a Hungarian Jew, has been made member of the Sonderkommando in Auschwitz-Brikenau.

The nazi industrial extermination of what the naziвЂ™s consider to be unwanted people, is at its peak. That summer each day thousands of Jews are being killed. We find ourselves in the Second World war, in the most well known extermination camp, in 1944. Would we be able to deal with the evil we would be exposed to? In the end I decided to go, some strange desire to find out what I could handle, but also to find out whether I could begin to understand what evil can do to those subjected to it.

#Watch son of saul movie#

The movie Son of Saul, by the Hungarian filmmaker LГЎszlГі Nemes, was supposedly too hard to look at. But the camera stays with Saul faithfully, making us care for this person we barely know just as he cares for the son he barely had.None of us, editors of this website, dared to go. Gunshots pierce the night sky and flames turn the whole scene into a vision of hell on Earth. This time, we follow Saul as he navigates the frantic sea of humanity. Getting back to that opening tracking shot for a moment: Nemes recreates it at night toward the filmвЂ™s end as the campвЂ™s commanders carry out orders to kill an even larger number of Jews even more quickly. But their collective urgency is palpable, and as both storylines bubble to a boil, SaulвЂ™s actions become more brazen. ItвЂ™s sometimes difficult to tell whoвЂ™s who in this obscured, enclosed setting several men in the resistance look similar, and the one woman he has contact with in a brief but gripping scene never gets an explanation. He must choose between the spiritual fate of one boy and the practical greater good for a multitude of men and women.

#Watch son of saul free#

He may or may not be, but who he is isnвЂ™t as important as what he represents: a sense of purpose, an opportunity to break free from his soul-sucking routine and achieve a sense of redemption, however fleeting it may be.ДЄt the same time, Saul must juggle this quest with his role in an uprising that several fellow prisoners in the camp are planning. (Doctors actually refer to the body as an вЂњitвЂќ-a thing that needs to be taken someplace.) Eventually, Saul claims the boy is his son. Saul is drawn to him, and makes it his mission to find a rabbi to ensure the boy has a proper Jewish burial rather than be autopsied and incinerated. That is, until he sees the body of a boy on the verge of death, whom doctors quickly suffocate. Maybe thatвЂ™s intentional, though-an effort by Nemes to suggest the psychological chaos that can exist in such a cruelly systematic environment.ДЄt the filmвЂ™s start, Saul is a cog in this machinery: efficient, trustworthy, unshakable. Then again, time is hazy here, as are many elements of вЂњSon of Saul.вЂќ Identities are unclear at times, even of characters who play pivotal roles. Saul is savvy and resourceful, traits he must use again and again to survive over the course of a harrowing couple of days. ItвЂ™s a physical performance as much as it is a quietly emotional one he has to establish who this man is mainly through his gestures, demeanor and energy. RГ¶hrig has the tricky task of carrying this story on his shoulders-and us along with him-without the benefit of being able to emote or even say much. But this is just a marvel of controlled filmmaking-a bold vision carried out with powerful simplicity, and an impressively assured debut form both Nemes and RГ¶hrig as his star. If youвЂ™re not a fan of ambiguity, either from a narrative or moral perspective, you may have trouble here. вЂњSon of SaulвЂќ is a movie that requires attention and patience, with a script from Nemes and Clara Royer thatвЂ™s often wordless or whispered. Right away, we know weвЂ™re in the hands of a director who wants to tell the story of the Holocaust from a different perspective than weвЂ™ve seen before in films: a more personal, intimate one. The suggestion of the suffering is more unsettling than wallowing in it.

The horror remains in the periphery, a blur, but itвЂ™s unmistakable: the pounding and screaming from behind the metal doors, the naked and lifeless limbs being dragged across the concrete floor once the doors have reopened. Nemes stays close, showing us only what Saul sees, photographing him from the back or the side, Dardennes-style, as he walks purposefully toward each destination.